Friday Music
September 2024

St Stephen's Uniting Church
197 Macquarie St, Sydney
(opposite Parliament House)


Entry by note donation

www.ssms.org.au




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6 September

Melissa Coleman (flute)

Harriet Channon (trumpet)

Sumiko Yamamura (pianoforte)

 

 

 

Andante in C Major K.315 for flute and piano - W.A. Mozart (1756 - 1791)

The beloved flower for trumpet and piano - Enis Mullaj (1986 - )

Sorrel for solo flugelhorn - Alan Holley (1954 - )

Still Life for trumpet and piano - Alan Holley (1954 - )

Monodie  for solo flute - Vjekoslav Njezic (1973 - )

for Andrea for flugelhorn and piano - Eriona Rushiti (1970 - )

Concertino Op 107 for Flute and Piano - Cécile Chaminade (1857 - 1944)

 

 

Melissa Coleman is an active freelance flautist who enjoys performing both flute and piccolo in a wide range of settings. Melissa studied with James Kortum at the Newcastle Conservatorium of Music, attaining her Bachelor of Music, majoring in Performance; then later with Alexa Still at the Sydney Conservatorium of Music, where she attained her Master of Music degree. A specialist in contemporary flute techniques, Melissa is especially passionate about promoting and performing contemporary Australian chamber works and collaborating with composers in the creation of new music. Melissa is also a passionate educator, maintaining a thriving flute and piccolo studio.


Harriet Channon holds a BMus (Hons) and DMA from the Sydney Conservatorium. Her research focused on the analysis and performance of unaccompanied trumpet works composed by Australians. Since receiving her Doctorate she has worked as a soloist and freelance musician and performs with community based music ensembles such as the Warringah Concert Brass Band. During her doctoral studies Harriet gained attention with performances of new Australian solo trumpet compositions at the Creative Space Gallery, Sydney, and premiering four Australian solos at Montsalvat for the Melbourne Composers' League. Recent solo concerts include the world premiere performance of Alan Holley's new work The Sky is Brass for unaccompanied trumpet, as well as regular recitals including St Stephen's Sydney.  


Sumiko Yamamura is a freelance accompanist born in Japan. She completed Bachelor of Music in performance with Elizabeth Powell, and Graduate Diploma in piano accompaniment with David Miller at Sydney Conservatorium of Music. Sumiko has performed and recorded for ABC FM and Fine Music FM with various musicians and groups including Orana Trio, Sirius Ensemble, The Phoenix Ensemble, Ensemble Vinifera, Kammer Trio, John Cran and Richard Rourke and Jonathon Ramsay. Recently she performed for Lane Cove Music Club with Mark Walton.

 

 

 

13 September

Natalia Melnik (soprano)

Andrew Kennedy (clarinet)

Eun-Jung Byun (pianoforte)

 

 

 

 

"Before the Spring" - Miriam Hyde (1913 – 2005)

"Spring Breezes" - Horace Keats (1895 – 1945)

 "It Was In The Early Spring" Op.38 N2 - Pyotr Ilyich Tchaikovsky (1840–1893)

 "Spring Waters" Op.14 N11 - Sergei Rachmaninoff (1873 – 1943)

"The Lilacs" Op.21 N5 - Sergei Rachmaninoff (1873 – 1943)

"Pastorale" - John Carmichael (born 1930)

N2 "Zwiegesang" - Louis Spohr (1784-1859)
from "Sechs deutsche Lieder for soprano, clarinet, and piano", Op. 103

N4 "Wiegenlied" (in drei Tönen) - Louis Spohr (1784-1859)

"Das ist ein Tag" Op.23 N5 - Clara Schumann (1819 – 1896)

"O Lust, o Lust" Op.23 N6 - Clara Schumann (1819 – 1896)

"Der Hirt auf dem Felsen" ("Shepherd on the Rock") D. 965 - Franz Schubert (1797 – 1828)

 

 

Natalia Melnik was born in Moscow, Russia and moved to Sydney in 2013. At the age of five, she started her musical education at a primary music school. At thirteen, she was granted a place in a children's concert choir "Cantilena", and two years later became the choir soloist, performing in numerous concerts and touring in Russia and Europe. Later, Natalia continued her studies at Valentina Levko's Center of Vocal Art in Moscow. Natalia is currently conducting her doctorate research at the Sydney Conservatorium of Music. Her research aims to make Russian vocal music more accessible for non-Russian-speaking singers. Natalia worked as a Russian lyric diction coach with AIM, the Sydney Conservatorium Choir, the Sydney Art Song Society and numerous individual singers. Natalia is the founder of the "Russian For Singers" project that helps hundreds of classical singers from around the world explore Russian vocal music.

Natalia sings in numerous recitals throughout the year, specializing in coloratura arias as well as Russian music. In December 2016, Natalia performed with the Sutherland Shire Symphony Orchestra in their Christmas concert. In 2017-2019, Natalia sang the roles of Valeria in the production of Alessandro Scarlatti's opera "La Caduta De' Decemviri", Marcella in "Boheme a piacere", Princess Tamara in the play "Demon", the title role of Clara Schumann in the "Happy Birthday, Clara!" concert program. During 2021-2023, Natalia created and performed a number of concert programs, including "Love Songs" (2021), "Made in Heaven" (2022) and "Rejoice!" (2023). Natalia's recordings are available on Spotify, Apple Music and other streaming platforms.



As artistic director of the Hourglass Ensemble (Sydney), Dr Andrew Kennedy has been responsible for commissioning over 40 new works from Australian composers since 2015. A graduate of the Tasmanian Conservatorium of Music, he is principal clarinet of the World, Australian, and New South Wales Doctors Orchestras, and regularly appears on radio and on new recordings of home-grown music. Andrew has had eight of his own pieces premiered at the Sydney Opera House, and also is a current sports journalist and trauma-oncology anaesthetist. Since his youth, he has always felt that chamber music should be like a small orchestra, blending all kinds of timbres, leading him to specialise in modern and recent music which blends voice, woodwind, strings, piano, brass, and percussion. His philosophy is that every performance is a unique dialogue between composer, performers, and audience, and the musician's job is to show the listener the beauty intended in the notation. Hourglass Ensemble next plays at the Utzon Room on Sunday 3 November 2024 and Saturday 15 March 2025.



Born in South Korea, Dr Eun-Jung Byun is an accomplished musician who has already established herself in the Australian music scene as a leading member of the new generation of professional collaborative pianists. She has exceptional skills as a vocal accompanist and chamber musician, and has had impressive success as a teacher, coach and entrepreneur.

Eun-Jung holds a Bachelor of Music and a Master of Performance, both majoring in piano accompaniment, from the University of Sydney. During her postgraduate studies, she was selected to take part in the student exchange program at the Royal Academy of Music, London. She completed her Doctor of Musical Arts on the development of Korean art song based on poetry from the Japanese Occupation Period (1910-1945).

A member of the Accompanists' Guild of NSW and the collaborative pianist for the Pacific Opera Studio, Eun-Jung has appeared in the Melbourne International Festival of Lieder and Art Song, Festival of Art Song hosted by the Sydney Conservatorium of Music. Since 2005, Eun-Jung was a staff pianist for the Voice and Opera Studies division and is currently an Associate Lecturer in Collaborative Piano at the Sydney Conservatorium of Music.

 

 

20 September

Regina B. Alawadhi (violin)

Jacquelyn Koh (pianoforte)

 

 

 

 

Praeludium and Allegro - Fritz Kreisler (1875 - 1962)

Salut d'Amour - Edward Elgar (1857 - 1934)

Introduction and Tarantella - Pablo de Sarasate (1844 - 1908)

Romance - Amy Beach (1867 - 1944)

Valse Bluette - Riccardo Drigo (1846 - 1930)

March from Three Oranges - Sergei Prokofiev (1891 - 1953), arr. Jascha Heifetz

It Ain't Necessarily So - Geroge Gershwin (1898 - 1937), arr. Jascha Heifetz

 

 

 

Regina Buenaventura-Alawadhi is a violinist whose aim is to make each musical performance meaningful and memorable. A full-time violin teacher, Regina teaches violin at Reddam House Sydney and at Avviare Music Academy Sydney. Some notable performances in Sydney include: This Sounds Like Science, a lecture-concert held at City Recital Hall; and at the Royal Sydney Yacht Squadron for Her Excellency the Honourable Margaret Beazley, Governor of New South Wales and guests.

Regina completed her Master in Music Studies in Violin Performance (July 2018) at the Sydney Conservatorium, where she was a Merit Scholar, under artist-pedagogue Prof. Ole Böhn. She obtained her Bachelor of Music in String Performance (July 2013) under artist-pedagogue Prof. Almita Vamos at the Bienen School of Music of Northwestern University, in Evanston, Illinois. At Northwestern University, she was awarded a Merit scholarship and was part of the Dean's List. She was also a scholar for the arts of Standard Insurance Co, Inc from 2003-2013. 

Regina has had chamber music coaching under reknowned pedagogues Prof. Ole Böhn, Dr. Goetz Richter, Dr. Roland Vamos, Mr. Mathias Tacke (2nd violinist of the Vermeer Quartet), and Dr. Russell Rolen (cellist of the Spektral Quartet). She has also participated in masterclasses with soloists Ruggiero Ricci, Alice Schoenfeld, Shmuel Ashkenasi, and Isabelle van Keulen.   

As a violinist who has studied every major violin concerti in the repertoire, Regina has been invited to perform as a soloist with the Manila Symphony Orchestra II several times, performing the Saint-Saens, Korngold, Barber, Brahms (1st mvmt) and Beethoven Violin Concerti. Other Philippine-based orchestras Regina has been invited as a soloist are the Philippine Philharmonic Orchestra and Filharmonika. She was a featured violin soloist under the baton of Maestro Gerard Salonga in Filharmonika's CD Heritage: The Music of Col. Antonino Buenaventura.



Malaysian-born Li Qing Koh, also known as Jacquelyn, holds a master's degree in music (Performance) from Sydney Conservatorium of Music. Under the tutelage of Australian concert pianists Prof. Gerard Willems AM, Lyall Duke, Eugene Choi, Dr. Paul Rickard-Ford, Chee Su Yen, and Yong Sue Yi, she completed her studies with a thesis supervised by Dr. Helen Mitchell. Jacquelyn received chamber coaching from Dr. Park Ji-Sook, Dr. Kirill Monorosi, Dr. Cheong Yew Choong, and Ysan Suit Yin, and attended masterclasses with Dr. Julie Bee and Sonya Lifschitz. Additionally, she had one-on-one sessions with Prof. Lev Natochenny and holds a Licentiate diploma from Trinity College London with Distinction. Active as a solo performer, collaborative pianist, researcher, and Kodaly educator in Malaysia, Australia, and Indonesia, Jacquelyn participated in the Southeast Asia Music Exchange (SEAMEX) in Indonesia in 2019, where she presented her Master's thesis on musical instrument performance enhancement. Passionate about chamber music, she frequently performs various chamber repertoire and collaborates with other musicians for chamber recitals.

 

 

Sunday 22 September

Book now:

http://tix.yt/stluke

 

 

27 September

Brett McKern (organ)

 

 

Fantaisie in A - César Franck (1822 - 1890)

Chorale Prelude on Rhosymedre - Ralph Vaughan Williams (1872 - 1958)

Brett McKern (1972 - )
(i) A Little Passacaglia & Fugue in memoriam Robert Smith Op.171 (2024)
(ii) Chanson du Hautbois Op.125 No.16 (2024)

Carillon sur la sonnerie du Carillon de la chapelle du Château de Longpont - Louis Vierne  (1870 - 1937)

 

Dr Brett McKern is an organist, composer, choir director, lecturer, music teacher, and consultant on music and music education.

Brett has an international career as a composer with his music being performed in at least eight countries including England, Belgium, France, Germany, the USA, Canada, New Zealand, and Australia. His music has been performed and broadcasted in multiple Australian states. Brett is an award-winning composer (Australia & Canada) and has published over one hundred works in Australia and abroad. Brett is often commissioned by professional soloists (particularly organists), liturgical choirs, secular choirs (such as the Song Co), school choirs, orchestras, and others. He has also written pedagogical material (such as the latest AMEB piano sight-reading book). His music has been performed at such prestigious venues as Westminster Abbey and St Paul's Cathedral, London; and Washington National Cathedral.

Brett holds degrees in music, education, theology, and two doctorates in musical composition including a PhD from Sydney Conservatorium of Music. He is a Fellow of the Royal College of Organists, Trinity College of Music, London, and the Guild of Church Musicians. He has lectured at various universities and at theological college, and was an Adjunct Associate Professor. He examines written music both online and as one of three national diploma examiners, and is a syllabus adviser for the Australian Music Examinations Board (AMEB), as well as being called upon to examine university research degrees. Brett has adjudicated multiple composition competitions, and sits on the Advisory Panel for the music publisher Wirripang. He is a Represented Composer of the Australian Music Centre. Brett consults on music and music education including for an international music education software developer; as well as lecturing to music teachers on pedagogical technique.

Brett has performed as an organist and choir director in four countries, and been recorded for DVD, CD and film. He was the organist on the soundtrack for the Australian feature film Animal Kingdom. He has released a solo CD of organ music and improvisations, and features as organist, choir director or composer on multiple other CDs.

Brett also teaches and many of his private organ, theory and composition students have gone on to read music at university, and a number are now professional musicians.

 

 

 



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